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Our Products are generally provided as Zip file downloads which in all cases will need to be extracted and saved to your hard drive prior to installation. Details on the different file type provided and what to do with them are below.
.alp Files – These are Ableton Live Packs and will install directly into the Packs Section of the browser of Ableton Live. When you double click on them you will see a pop up window asking you to confirm that installation is ok as the files are described as “Legacy”. This is fine and you are ok to proceed, the packs are created using the format for an earlier version of Live and so remain compatible with the current version.
.amxd files – These are individual MaxforLive Devices and can be stored anywhere on your hard drive. We’d advise creating a folder for them and then adding that folder as a location within the Places section of Lives Browser.
Control Surface Scripts – Please refer to the individual User Guides provided with your download, an abridged version of the installation will be shown further down this page.
ClyphX Pro – Please refer directly to the manual and installation video for this specific product.
Novation Circuit Packs – These are provided as individual Sysex Files and as a complete bank file. All are to be installed using a version of the Circuit Editor and not via Novations Components back up utility.
Control sibilance and tame harshness without sacrificing punch or clarity. It works great on anything whether it be for music production, live performance, mastering or post production. With only one parameter and excellent metering, it’s an absolute breeze to use. Don’t let unruly high frequencies ruin your mix again, control them easily and transparently with GMaudio HiFreqLimiter from the developer behind Ducker and TransD 2.0…
This device uses a custom external featuring state of the art technology to minimize distortion in dynamics processing, which was developed for the upcoming PentaComp 2.0.
Simply adjust the threshold until the desired gain reduction is reached. You can also solo the gain reduction so you can hear exactly whats being taken away from the signal. Percussion such as cymbals, hats, claps and snares are a perfect place to use this device, as well as sibilant vocals or gnarly synth sounds. It also works well on groups/buses and master tracks for transparent reduction in harshness or brightness without affecting too much of the overall signal.
Now in Version 1.2 you can use it in parallel with the Dry/Wet parameter and changes will be reflected on the display, allowing you to dial in the amount of processing more easily.
Happy music making! 😁🤘🎶
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