Freak-Q by Chaos Culture
THE OPPOSITE OF AN EQUALIZER
Freak-Q is a MaxforLive equalizer specialized on sound design. Unlike an equaliser though, instead of actual filters to split the signal into bands, Freak-Q is based on a fast Fourier transformation.
With 2048 bands this equalizer is not designed to balance a mix, it is meant to distort the frequency spectrum and to create harmonics or weird altered sounds.
USER GUIDE: Freak-Q Manual

Chaos Culture
Sebastian was introduced to music early on and grew up reverse engineering and producing songs.
View all products by Chaos CultureOverview
The opposite of an EQ
Freak-Q is the opposite of an equalizer, specialized to distort the frequency spectrum and create interesting sounds. Internal modulations for complete chaos.
Curve editors allow you to create shapes and modify them with automatable parameters to an extend that has never been done before. This creates interesting and often unpredictable results, which makes this plugin good for experimentation. This effect is not designed to balance a mix such as a regular equalizer, it is meant to distort the frequency spectrum and to create harmonics or weird filtered sounds.
- FFT-based processing using 2048 frequency bins
- 4 identical curve modules, each with a dedicated curve editor and independently automatable parameters
- Amount, offset and scale parameters updated at audio rate for the highest precision modulation possible
- Designed for experimentation, producing interesting and often unpredictable, yet deterministic results
- Works best applied to a rich source signal with distortion and compression added afterwards
- Mid/side vs left/right stereo processing
- Mute and solo functionalities of individual curves to isolate the effect they have on the sound for easier editing
- Use the output of curves to modulate aspects of other curves for even more extreme results
- Copy paste functionality of curve shapes
- Macros to control and further offset the parameters for all curve modules
- Real time display of the frequency response Freak-Q generates
- Low latency mode
- The curves can be applied to the frequency spectrum using a logarithmic, linear or an experimental hybrid scale
- Max for Live Audio Effect .amxd device
- Presets
- User manual (PDF)
Reviews
REVIEWS
There is a bit of a learning curve but it's so worth it. Amazing tool for unique sound design
awesome fun!! really crazy sound design tool.
This device is totally wild. I love it, something weirdly different.Perfect for IDM tracks.
I got fast results with this. Here's the formula... A "random wave shape" modulates a "random wave shape" + Spin the knob = 1% GREAT, 9% good and 90% awful. But you can find that "1% Great" in 5 minutes. I own nearly 1000 pieces of audio software, this is unique. It can sound like a comb filter, or high pass - low pass, or screaming feedback, or a sampler, within seconds, just by turning the offset knob. It can widen a mono signal in unique ways. I will use this often.
a wonderful machine for sound design any frequency.
Mean and essential. I love it!
Important Information
CHANGELOG
V1.0.0 – Initial Release
INSTALLATION
Our Products are generally provided as Zip file downloads which in all cases will need to be extracted and saved to your hard drive prior to installation. Details on the different file type provided and what to do with them are below.
.alp Files – These are Ableton Live Packs and will either install directly into the Packs Section of the browser of Ableton Live or ask you to save them to your hard drive. For packs that install to the library, when you double click on them you will see a pop up window asking you to confirm that installation is ok as the files are described as “Legacy”. This is fine and you are ok to proceed, the packs are created using the format for an earlier version of Live and so remain compatible with the current version.
.amxd files – These are individual MaxforLive Devices and can be stored anywhere on your hard drive. We’d advise creating a folder for them and then adding that folder as a location within the Places section of Lives Browser.
LICENSE
END-USER LICENSE AGREEMENT FOR ISOTONIK STUDIOS SOFTWARE PRODUCTS.
PLEASE READ THE TERMS AND CONDITIONS OF THIS LICENSE AGREEMENT CAREFULLY BEFORE CONTINUING WITH THIS PROGRAM INSTALL.
This End-User License Agreement (referred to as “EULA”) is a legal agreement between an individual or a single entity (referred to as “LICENSEE”) and Isotonik Studios for the Isotonik Studios software product(s) which may include associated software components, media, printed materials, and “online” or electronic documentation (referred to as “SOFTWARE PRODUCT”). By installing, copying, or otherwise using the SOFTWARE PRODUCT, the LICENSEE agrees to be bound by the terms of this EULA.
This EULA represents the entire agreement concerning the program between the LICENSEE and Isotonik Studios and it supersedes any prior proposal, representation, or understanding between the parties. If the LICENSEE does not agree to the terms of this EULA, the LICENSEE should not install or use the SOFTWARE PRODUCT.
The SOFTWARE PRODUCT is protected by copyright laws and international copyright treaties, as well as other intellectual property laws and treaties. The SOFTWARE PRODUCT is licensed, not sold.
- GRANT OF LICENSE.
The SOFTWARE PRODUCT is licensed as follows:
(a) Installation and Use. Providing that the LICENSEE has paid any applicable license fees, Isotonik Studios grants the LICENSEE the right to install and use copies of the SOFTWARE PRODUCT on up to two computers in the LICENSEE’s possession that are running a validly licensed copy of the operating system for which the SOFTWARE PRODUCT was designed [e.g., Windows 10, macOS]. The computer(s) must be owned by the LICENSEE.
(b) Backup Copies. The LICENSEE may also make copies of the SOFTWARE PRODUCT as may be necessary for backup and archival purposes.
- DESCRIPTION OF OTHER RIGHTS AND LIMITATIONS.
(a) Maintenance of Copyright Notices. The LICENSEE must not remove or alter any copyright notices on any and all copies of the SOFTWARE PRODUCT.
(b) Distribution. The LICENSEE may not distribute registered copies of the SOFTWARE PRODUCT to third parties.
(c) Prohibition on Reverse Engineering, Decompilation, and Disassembly. The LICENSEE may not reverse engineer, decompile, or disassemble the SOFTWARE PRODUCT, except and only to the extent that such activity is expressly permitted by applicable law notwithstanding this limitation.
(d) Rental. The LICENSEE may not rent, lease, or lend the SOFTWARE PRODUCT.
(e) License transfer The LICENSEE may not transfer their license to the SOFTWARE PRODUCT to any third party. Any attempt to do so will be considered a violation of this EULA.
(f) Support Services. Isotonik Studios may provide the LICENSEE with support services related to the SOFTWARE PRODUCT for a period of 12 months following the date of purchase. Any supplemental software code provided to the LICENSEE as part of the Support Services shall be considered part of the SOFTWARE PRODUCT and subject to the terms and conditions of this EULA.
(g) Compliance with Applicable Laws. The LICENSEE must comply with all applicable laws regarding use of the SOFTWARE PRODUCT.
- TERMINATION Without prejudice to any other rights, Isotonik Studios may terminate this EULA if the LICENSEE fails to comply with the terms and conditions of this EULA. In such event, the LICENSEE must destroy all copies of the SOFTWARE PRODUCT in the LICENSEE’s possession.
- COPYRIGHT All title, including but not limited to copyrights, in and to the SOFTWARE PRODUCT and any copies thereof are owned by Isotonik Studios or its suppliers. All title and intellectual property rights in and to the content which may be accessed through use of the SOFTWARE PRODUCT is the property of the respective content owner and may be protected by applicable copyright or other intellectual property laws and treaties. This EULA grants the LICENSEE no rights to use such content. All rights not expressly granted are reserved by Isotonik Studios.
- NO WARRANTIES Isotonik Studios expressly disclaims any warranty for the SOFTWARE PRODUCT. The SOFTWARE PRODUCT is provided ‘As Is’ without any express or implied warranty of any kind, including but not limited to any warranties of merchantability, noninfringement, or fitness of a particular purpose. Isotonik Studios does not warrant or assume responsibility for the accuracy or completeness of any information, text, graphics, links or other items contained within the SOFTWARE PRODUCT. Isotonik Studios makes no warranties respecting any harm that may be caused by the transmission of a computer virus, worm, time bomb, logic bomb, or other such computer program. Isotonik Studios further expressly disclaims any warranty or representation to the LICENSEE or to any third party.
- LIMITATION OF LIABILITY In no event shall Isotonik Studios be liable for any damages (including, without limitation, lost profits, business interruption, or lost information) arising out of the LICENSEE’s use of or inability to use the SOFTWARE PRODUCT, even if Isotonik Studios has been advised of the possibility of such damages. In no event will Isotonik Studios be liable for loss of data or for indirect, special, incidental, consequential (including lost profit), or other damages based in contract, tort or otherwise. Isotonik Studios shall have no liability with respect to the content of the SOFTWARE PRODUCT or any part thereof, including but not limited to errors or omissions contained therein, libel, infringements of rights of publicity, privacy, trademark rights, business interruption, personal injury, loss of privacy, moral rights or the disclosure of confidential information.
Frequently Asked Questions
What makes Freak-Q different from a standard equaliser?
It’s not designed to “equalize” sounds, it doesn’t tame frequency peaks. It adds peaks and adds complete silence in potentially constantly moving areas within the frequency spectrum. This means it is built for sound design and spectral destruction rather than mix balancing, often producing harmonics and unpredictable tonal results. It is a sound design tool that makes it easy to find happy accidents.
Is Freak-Q a Max for Live device and what do I need to run it?
Yes, Freak-Q is a Max for Live device, so you will need either Ableton Live Suite or have a Max for Live license added to Live Standard.
Will my sample rate affect how Freak-Q sounds?
The drawn curves are mapped to the same frequencies on any sample rate. So it tries to sound the same on different sample rates, but due to the nature of FFT based processing, a higher sample rate spreads the 2048 frequency bins across a wider range and therefore resulting in a different sound. And since Freak-Q is purposefully designed for chaotic outputs, these differences can sometimes be very noticeable. So it is worth experimenting with different sample rates to understand how it behaves.
Can I automate Freak-Q within Ableton Live?
Absolutely. The parameters that control and modify the drawn curves are fully automatable within Ableton Live, making Freak-Q a powerful tool for creating evolving, movement-driven spectral effects over time.
What kind of sounds and use cases is Freak-Q best suited to?
Freak-Q is designed for sound design rather than corrective work, making it ideal for creating unusual textures, generating harmonics, mangling synths and samples, or transforming mundane sounds into something entirely unrecognisable. Especially frequency rich sounds work well, giving Freak-Q a lot of material to cut away or boost.
How do I install Freak-Q after purchasing?
Once downloaded, drag Live package (.alp) file into Ableton Live. You will likely see a prompt saying that it’s a legacy package, this is not a problem and won’t cause any issues. After installing it, you can find Freak-Q in the “Places” folder within Lives browser.
In Depth
Freak-Q is a MaxforLive device that can be described as a graphic equalizer with 2048 bands. Although this is technically not accurate it helps to understand what this device does and how it affects the signal. Instead of actual filters to split the signal into bands, Freak-Q is based on a fast Fourier transformation.
Keep in mind that all 2048 bands are always fixed and equally placed across the frequency spectrum and therefore using a higher sample rate will lower the resolution. The quality stays the same, but it will sound different.
To change the amplitude of every frequency band this plugin gives you the ability to draw curves and modify them with automatable parameters to an extend that has never been done before. This creates interesting and often unpredictable results, which makes this plugin good for experimentation. This equalizer is not designed to balance a mix, it is meant to distort the frequency spectrum and to create harmonics or weird altered sounds.
This device can boost the signal by a large amount if you’re not careful, using a limiter is probably a good idea. Generally you can make the most out of this plugin by applying it to a rich signal and adding distortion and compression afterwards.
Each of the 4 available curve modules are identical. The curve editor is on the left and on the right you can find automatable parameters that modify the curve in different ways. The amount, offset and scale parameters are being updated in audio rate to allow the highest precision possible. With that you can draw very quick spikes and movements to create and shape transients.



