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| MaxforLive | Audio Devices |
|---|---|
| Ableton Live Compatibility | Ableton Live 11 Standard with MaxforLive, Ableton Live 11 Suite, Ableton Live 12 Standard with MaxforLive, Ableton Live 12 Suite |
| Min. Requirements | Ableton Live 11 Standard with MaxforLive Installed or Ableton Live 11 Suite, Live 12 Standard with MaxforLive or Live 12 Suite is required to load the provided Live Set |
| OS | Mac, Windows |
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99% buyers are satisfied
6 reviews
96.6% average rating
Excellent, intuitive tool with so many scratchy possibilities streamlined! Only issue is that the example Live Set file mentioned in the manual doesn’t seem to be included but the tool is easy enough to work out after some time.
The live set provided is for Live 12 as detailed on the product page.
Ignore me, I was looking for a Live Project rather than inside the pack itself, all working now! Already having tons of fun, cheers!
Great bit of kit. Simple to use. Works well!
OMG!!!! This is amazing. I can finally scratch my hip-hop beats. Such a great bit of kit, very intuitive to use. It’s wickedy-wickedy-wicked – Five stars
Very cool tool. I´m feeling like being Jazzy Jeff already. Super fun when assigned to a midi controller. Recommend!
Loads of fun to be had with this tool. Nice work
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Live Scratcher is a Max for Live instrument for creating similar sounds to those a turntablist would make using a turntable and mixer.
This is achieved by simply moving, or ideally automating, the position of a playhead across a sample. At the same time, any MIDI notes received on C3 or above will ‘cut’ the sound in as the playhead moves back and forth.
Using a combination of the two in a MIDI clip can create anything from a simple Baby Scratch to a complicated, polyrhythmic Transformer!
The key to getting it to sound as authentic as possible is to create subtle variations in the note length and timing, as well as variations in the playhead movement itself. No scratch DJ, even the likes of DJ Qbert or DJ Premier, who are renowned for being very technically precise, will ever move the turntable to exactly the same positions each time. Much like any musician, it’s the slight imperfections that give the performance a ‘human’ feel. Similarly, creating note patterns and turntable / playhead movements with slight variations will help give you a much more ‘natural’ sound.
The device is split into 4 main areas:
Let’s look at each of these in turn to see what they do.
SAMPLE AREA
Here you can choose from the built-in samples (the classic ‘Ahhh’ and ‘Fresssh’ sounds), or load up to four of your own custom samples by dropping each one over a ‘User’ slot.
If you’re using a custom sample, try to keep sample length at around 1 second. Make sure you’re leaving a small section of silence too just before and just after the sample. This helps create a sharper ‘attack’ when the playhead passes over the start / end.
You can either play the playhead ‘live’ with the mouse, by using Push, or by using Ableton’s MIDI Mapping Mode to map it to an external MIDI controller. And then tapping out a rhythm on note C3 or above.
Or you can prepare and automate the whole thing in a MIDI clip. Move the playhead using Ableton Live’s automation envelopes to control the ‘Turntable’ parameter in either Session or Arrangement View. Then enter notes in the clip to trigger the sound on / off at rhythmical intervals.
LFO AREA
You can also choose to automate the playhead using the built-in LFO. Here, the playhead is locked to the LFO and you set the rate, depth, offset, phase, etc. – all the controls you would typically find in any LFO device – to fine tune the playhead’s movement.
You can choose from 3 typical LFO shapes (similar to the movements a turntablist would typically make): Sine, Ramp and Triangle, but you can also create your own LFO shape using the breakpoint editor. Custom shapes (especially curvy ones!) can help the movements sound more natural.
AUDIO INPUT AREA
Here you can record clips from any other of Ableton Live’s tracks directly into one of the four User Sample Slots.
PRESET AREA
The settings for all parameters in Live Scratcher (except for ‘Turntable’ and ‘Preset Select’) can be stored as ‘snapshots’ in the Preset area. Here you store and recall your own presets. Any presets you store are saved along with your project.
Presets can be recalled by either clicking, by using the ‘Preset’ parameter in clip automation, or with MIDI notes C-2 through to B2 (60 notes in total to cover each of the available preset slots). This enables you to very easily switch LFO settings live or via automation.
Check out the example project (Live 12 required) to help get you started. This has a collection of pre-made MIDI clips, all with different note patterns and playhead automation to give you an idea of what it’s possible to do.
Please refer to the user manual for a more detailed explanation of each of the device’s parameters.
Our Products are generally provided as Zip file downloads which in all cases will need to be extracted and saved to your hard drive prior to installation. Details on the different file type provided and what to do with them are below.
.alp Files – These are Ableton Live Packs and will install directly into the Packs Section of the browser of Ableton Live. When you double click on them you will see a pop up window asking you to confirm that installation is ok as the files are described as “Legacy”. This is fine and you are ok to proceed, the packs are created using the format for an earlier version of Live and so remain compatible with the current version.
.amxd files – These are individual MaxforLive Devices and can be stored anywhere on your hard drive. We’d advise creating a folder for them and then adding that folder as a location within the Places section of Lives Browser.
Live Scratcher v1.0.4 – Released 15th November 2024
Added:
– Added ‘Audio Input’ section. You can now select any other track in Live and use it as an audio input for recording new User Samples. Use the four record buttons to record into the four corresponding User Sample Slots.
– Added input gain and input monitor controls for incoming audio.
– Added four ’Save’ buttons. Each will save the corresponding User Slot to disk as a .wav file. When clicked, you’ll be prompted to save to a folder.
Note that in order for your recorded sample to be saved with your project (or as a device preset in your User Library), you must first use the ‘Save’ button to save the sample to your hard drive. The resulting file then needs to be dragged back into a User Slot. As long as the original sample does not change location on your hard drive, it will be automatically loaded whenever you reload your set or load your preset. It is recommended that you save these into your Project’s ’Samples / Recorded’ folder.
– Added ‘Normalise’ button. When enabled, any imported user sample or recorded audio will be automatically normalised once loaded / recorded.
– Added 1.5, 2, 3, 4, 6 & 8 bar time divisions to the LFO Rate.
– Added LFO Time Mode control and Frequency/Hz Dial. When ‘Hz’ is selected, the LFO runs freely and the ‘Lock to Transport’ button is deactivated.
– Added LFO Retrigger button. LFO can now be manually retriggered when in Hz Time Mode.
– Updated Push controls.
– Updated Info View text.
Fixed:
– Playhead now responds more smoothly when mapped to an external MIDI controller or moved with the mouse.
– Sin LFO in ‘Note’ Time Mode now starts at the beginning of the sample rather than at the end.
– There’s no longer an audible pop/click when switching between samples when “Note Gate’ is off.
– Volume now reacts better to MIDI velocity changes (when ‘Vel to Vol’ is enabled).
– The buttons: Note Gate, Lock, LFO On and Velocity are now mappable, automateable, and their settings are saved with your Live set and into stored Presets.
GUI Changes:
– ‘ON’ button is now a check box labelled, “Note Gate”. Turn on to only allow the device to make a sound when a MIDI note (range: C3-C5) is held.
– ‘VEL’ (Velocity) button is now a check box labelled, “Vel to Vol”.
– ‘LOCK’ button is now a padlock icon and has moved to above the LFO Note/Hz Time Mode selector.
– GUI colours changed from fixed to dynamic and now correctly match the chosen Theme.
V1.2 – Released 23rd April 2024
Fixed a bug with the same custom sample loading across multiple device instances.
Fixed a bug with the waveform not being displayed correctly after replacing a custom sample.
V1.0 – Initial Release 10th October 2023
For support as an existing customer please use the Support Request section within your account page, this will enable us to validate your purchase automatically and assign the request to the relevant developer to respond when they're available.
DJ CAPON –
Excellent, intuitive tool with so many scratchy possibilities streamlined! Only issue is that the example Live Set file mentioned in the manual doesn’t seem to be included but the tool is easy enough to work out after some time.
Darren E Cowley (Admin) –
The live set provided is for Live 12 as detailed on the product page.
DJ CAPON –
Ignore me, I was looking for a Live Project rather than inside the pack itself, all working now! Already having tons of fun, cheers!
David Louca –
Great bit of kit. Simple to use. Works well!
Murph Enriquez –
OMG!!!! This is amazing. I can finally scratch my hip-hop beats. Such a great bit of kit, very intuitive to use. It’s wickedy-wickedy-wicked – Five stars
Sic –
Very cool tool. I´m feeling like being Jazzy Jeff already. Super fun when assigned to a midi controller. Recommend!
Marc –
Loads of fun to be had with this tool. Nice work