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Curves EQ by Monomono

Pultec-Inspired Architecture with Modern Enhancements

€21,78
Curves EQ encapsulates the spirit of iconic Pultec EQ design, complemented with tools for modern production demands. Whether you're shaping individual tracks, busses, or the entire mix, Curves EQ ensures great sound with minimal effort.
  • Drawing from the Pultec EQP-1A3's unique circuitry, Curves EQ captures its essence in a fresh, modern design.
  • Offers simultaneous low-frequency boost and cut, providing a distinctive frequency curve reminiscent of classic hardware.
  • Toggle between a warm, vintage-like transformer output sound and a clear, contemporary output stage.
  • Incorporates a high-pass filter for precise low-frequency sculpting.
  • Achieve the desired warmth with adjustable saturation levels, or opt for a clean, transparent signal.
Curves EQ – a Max for Live device that bridges inspired historical EQ nuances with today's production essentials.
USER GUIDE:

AVAILABLE IN A PACK:

VOLUME ONE

Additional information

MaxforLive

Audio Devices

Ableton Live Compatibility

Ableton Live 10 Standard with MaxforLive, Ableton Live 10 Suite, Ableton Live 11 Standard with MaxforLive, Ableton Live 11 Suite, Ableton Live 12 Standard with MaxforLive, Ableton Live 12 Suite

Min. Requirements

Ableton Live 10 Standard with MaxforLive Installed or Ableton Live 10 Suite

OS

Mac, Windows

VIDEO / AUDIO PLAYLIST
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1 review for Curves EQ by Monomono

  1. Henrik –

    This replaced another very popular Pultec inspired EQ plugin for me. Having it as a M4L device is just so convenient.

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1 review for Curves EQ by Monomono

  1. Henrik –

    This replaced another very popular Pultec inspired EQ plugin for me. Having it as a M4L device is just so convenient.

Add a review
Curves MaxforLive Device for Ableton Live by Monomono

Curves EQ by Monomono

Pultec-Inspired Architecture with Modern Enhancements

Curves EQ draws inspiration from the iconic hardware designs like Pultec EQP-1A3 with a handful of helpful additions. Following the architecture of the hardware, it captures the sound and utility of working with the hardware. In our experience it’s the easiest EQ to work with as it gets you where you need to be faster than any other EQ we’ve used.

SIGNAL PATH AND PROCESSING

Curves EQ follows the parallel architecture of the renown hardware units. It involves the division of the input signal into separate paths. Each band undergoes separate equalization, the results are coherently summed at the output. Unlike the serial eqs, like EQ8 where the bands are following each other which is one of the biggest reasons for it’s unique character.

WHAT’S DIFFERENT?

Curves EQ bears a handful of useful additions: low-cut filter to help tame low frequencies and unlike the original it’s been inspired by — ability to both boost and cut the mid peak and high shelf. It also supports a wider range of frequency selection than the hardware. And although since it’s digital, we could go with continuous frequency selection, it’s a deliberate choice to employ a selection of carefully tuned frequencies as it’s one of the reasons why it’s so easy to use.

TUBE & IRON

Like its hardware counterparts, it emulates tube/transformer output section as well as inductor based mid band design inviting subtle and sometimes not-so-subtle harmonic content into the original content. Push a hotter signal into the EQ to introduce more harmonics into your signal and compensate with the output gain.

In case if saturation is undesired, circuits can be bypassed for clean sound.

PULTEC TRICK

The Pultec Trick — this simultaneous boost and cut of the low frequency band — can add remarkable depth to a bass guitar or give a kick drum that perfect punch. When applied to a full mix or a bus, it brings forth a richness, making tracks sound fuller and more vibrant.

Curves EQ also allows you to disconnect the low band boost and cut frequencies to provide additional flexibility.

APPLICATION

Having only 4 bands to play around may seem limiting, but it works remarkably well on individual tracks, buses and is a great addition to your mastering toolbox as well.

AUTHENTIC LOOK & FEEL

All our devices follow the established Ableton Live design conventions and blend nicely with the existing selection of tools while employing a unique look. Color scheme adapts to the selected Live color theme naturally. While the design of our devices is functional, it also is easy on the eyes.

PUSH 3 STANDALONE READY

All Monomono devices work on Push 3 in Standalone mode.

Frequently Asked Questions

V1.0.0 – Initial Release – October 2023

Our Products are generally provided as Zip file downloads which in all cases will need to be extracted and saved to your hard drive prior to installation. Details on the different file type provided and what to do with them are below.

.alp Files – These are Ableton Live Packs and will either install directly into the Packs Section of the browser of Ableton Live or ask you to save them to your hard drive. For packs that install to the library, when you double click on them you will see a pop up window asking you to confirm that installation is ok as the files are described as “Legacy”. This is fine and you are ok to proceed, the packs are created using the format for an earlier version of Live and so remain compatible with the current version.

.amxd files – These are individual MaxforLive Devices and can be stored anywhere on your hard drive. We’d advise creating a folder for them and then adding that folder as a location within the Places section of Lives Browser.

END-USER LICENSE AGREEMENT FOR ISOTONIK STUDIOS SOFTWARE PRODUCTS.

PLEASE READ THE TERMS AND CONDITIONS OF THIS LICENSE AGREEMENT CAREFULLY BEFORE CONTINUING WITH THIS PROGRAM INSTALL.

This End-User License Agreement (referred to as “EULA”) is a legal agreement between an individual or a single entity (referred to as “LICENSEE”) and Isotonik Studios for the Isotonik Studios software product(s) which may include associated software components, media, printed materials, and “online” or electronic documentation (referred to as “SOFTWARE PRODUCT”). By installing, copying, or otherwise using the SOFTWARE PRODUCT, the LICENSEE agrees to be bound by the terms of this EULA.

This EULA represents the entire agreement concerning the program between the LICENSEE and Isotonik Studios and it supersedes any prior proposal, representation, or understanding between the parties. If the LICENSEE does not agree to the terms of this EULA, the LICENSEE should not install or use the SOFTWARE PRODUCT.

The SOFTWARE PRODUCT is protected by copyright laws and international copyright treaties, as well as other intellectual property laws and treaties. The SOFTWARE PRODUCT is licensed, not sold.

  1. GRANT OF LICENSE.

The SOFTWARE PRODUCT is licensed as follows:

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  1. DESCRIPTION OF OTHER RIGHTS AND LIMITATIONS.

(a) Maintenance of Copyright Notices. The LICENSEE must not remove or alter any copyright notices on any and all copies of the SOFTWARE PRODUCT.

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(d) Rental. The LICENSEE may not rent, lease, or lend the SOFTWARE PRODUCT.

(e) License transfer The LICENSEE may not transfer their license to the SOFTWARE PRODUCT to any third party. Any attempt to do so will be considered a violation of this EULA.

(f) Support Services. Isotonik Studios may provide the LICENSEE with support services related to the SOFTWARE PRODUCT for a period of 12 months following the date of purchase. Any supplemental software code provided to the LICENSEE as part of the Support Services shall be considered part of the SOFTWARE PRODUCT and subject to the terms and conditions of this EULA.

(g) Compliance with Applicable Laws. The LICENSEE must comply with all applicable laws regarding use of the SOFTWARE PRODUCT.

  1. TERMINATION Without prejudice to any other rights, Isotonik Studios may terminate this EULA if the LICENSEE fails to comply with the terms and conditions of this EULA. In such event, the LICENSEE must destroy all copies of the SOFTWARE PRODUCT in the LICENSEE’s possession.
  2. COPYRIGHT All title, including but not limited to copyrights, in and to the SOFTWARE PRODUCT and any copies thereof are owned by Isotonik Studios or its suppliers. All title and intellectual property rights in and to the content which may be accessed through use of the SOFTWARE PRODUCT is the property of the respective content owner and may be protected by applicable copyright or other intellectual property laws and treaties. This EULA grants the LICENSEE no rights to use such content. All rights not expressly granted are reserved by Isotonik Studios.
  3. NO WARRANTIES Isotonik Studios expressly disclaims any warranty for the SOFTWARE PRODUCT. The SOFTWARE PRODUCT is provided ‘As Is’ without any express or implied warranty of any kind, including but not limited to any warranties of merchantability, noninfringement, or fitness of a particular purpose. Isotonik Studios does not warrant or assume responsibility for the accuracy or completeness of any information, text, graphics, links or other items contained within the SOFTWARE PRODUCT. Isotonik Studios makes no warranties respecting any harm that may be caused by the transmission of a computer virus, worm, time bomb, logic bomb, or other such computer program. Isotonik Studios further expressly disclaims any warranty or representation to the LICENSEE or to any third party.
  4. LIMITATION OF LIABILITY In no event shall Isotonik Studios be liable for any damages (including, without limitation, lost profits, business interruption, or lost information) arising out of the LICENSEE’s use of or inability to use the SOFTWARE PRODUCT, even if Isotonik Studios has been advised of the possibility of such damages. In no event will Isotonik Studios be liable for loss of data or for indirect, special, incidental, consequential (including lost profit), or other damages based in contract, tort or otherwise. Isotonik Studios shall have no liability with respect to the content of the SOFTWARE PRODUCT or any part thereof, including but not limited to errors or omissions contained therein, libel, infringements of rights of publicity, privacy, trademark rights, business interruption, personal injury, loss of privacy, moral rights or the disclosure of confidential information.

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