Optocomp by Monomono
COMPRESSOR WITH ANALOG SOUND AND DIGITAL PRECISION
TRIPLE PACK SAVINGS: Add any three or more Monomono products to your cart and save 20% automatically at checkout!
Optocomp is a vintage-inspired compressor, infused with the warm character of classic gear like the LA-2A. Uniquely designed for Max for Live, it merges analog nuances with digital precision.
Employing a feedback design, Optocomp “listens” and adjusts for smooth, musical compression. Its program-dependent nature automatically fine-tunes attack and release based on the input, ensuring optimal results on everything from individual instruments to full mixes.
- Easy to set up: Just push the input to get more compression and makeup with the Output gain. Everything else is taken care of.
- Vintage Tone: Emulates renowned optical compressors.
- Analog Output Stage: Capture the magic of transformer and tube saturation.
- Flexible Controls: High-pass sidechain, channel summing for stereo operation, and blend dial for parallel compression.
USER GUIDE: VOLUME ONE
Optocomp by Monomono
COMPRESSOR WITH ANALOG SOUND AND DIGITAL PRECISION
TRIPLE PACK SAVINGS: Add any three or more Monomono products to your cart and save 20% automatically at checkout!
Optocomp is a vintage-inspired compressor, infused with the warm character of classic gear like the LA-2A. Uniquely designed for Max for Live, it merges analog nuances with digital precision.
Employing a feedback design, Optocomp “listens” and adjusts for smooth, musical compression. Its program-dependent nature automatically fine-tunes attack and release based on the input, ensuring optimal results on everything from individual instruments to full mixes.
- Easy to set up: Just push the input to get more compression and makeup with the Output gain. Everything else is taken care of.
- Vintage Tone: Emulates renowned optical compressors.
- Analog Output Stage: Capture the magic of transformer and tube saturation.
- Flexible Controls: High-pass sidechain, channel summing for stereo operation, and blend dial for parallel compression.
USER GUIDE: VOLUME ONE
Additional information
| MaxforLive | Audio Devices |
|---|---|
| Ableton Live Compatibility | Ableton Live 10 Standard with MaxforLive, Ableton Live 10 Suite, Ableton Live 11 Standard with MaxforLive, Ableton Live 11 Suite, Ableton Live 12 Standard with MaxforLive, Ableton Live 12 Suite |
| Min. Requirements | Ableton Live 10 Standard with MaxforLive Installed or Ableton Live 10 Suite |
| OS | Mac, Windows |
PRICE: £18.00
Product reviews
5 out of 5
2 reviews
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July 18, 2025
This reviewer bought this product from our store.
The sound quality and stability of monomono devices are just insane, opto and tape are maybe the mixing tools i use most at the moment!!
May 30, 2025
This reviewer bought this product from our store.
Another top device from Monomono
Optocomp by Monomono
Optocomp: A Deeper Dive into Vintage Optical Compression
In the vast world of audio compression, optical compressors have always occupied a unique niche. Characterized by their smooth, musical compression, these devices have been favored for decades by engineers seeking an organic touch. Optocomp brings this heritage into the digital realm, combining meticulous design principles with MaxforLive integration.
FEEDBACK COMPRESSOR
At its core, Optocomp employs a feedback compression design. Unlike feed-forward designs in stock Ableton compressors, where the compressor responds to the incoming signal directly, a feedback compressor takes its cue from the output. This feedback loop naturally results in a more musical and smooth response, as the compressor is effectively “listening” to what it has already done and making adjustments accordingly.
This design inherently produces compression that feels more in tune with the musical content. Transients are managed delicately, preserving the dynamic nuances of the original material. The feedback approach offers a holistic approach to compression, taking into account the resultant audio post-processing.
PROGRAM-DEPENDENT DESIGN EXPLAINED
The term “program-dependent” refers to a compressor’s ability to adjust its behavior based on the input signal. With Optocomp, the lack of explicit attack and release settings isn’t an oversight; it’s intentional. Because of its program-dependent nature, the compressor automatically, and dynamically, adjusts the attack and release times based on the incoming audio’s characteristics.
This automatic adjustment means that Optocomp provides optimal compression regardless of the material, eliminating the guesswork often associated with dialing in the right settings. The result? A compressor that’s not only versatile but also incredibly easy to dial in.
BROAD APPLICATION SCOPE
Despite its vintage inspirations, Optocomp isn’t just limited to emulating old-school sounds. Its design principles make it a suitable candidate for a wide array of audio material. From the sharp attack of a snare drum to the intricate layers of a full mix, its adaptability is one of its strongest suits. Whether you’re sculpting individual instruments, tightening up busses, or giving a cohesive vibe to a complete mix, Optocomp delivers with precision and character.
In conclusion, Optocomp isn’t just another compressor in your toolkit; it’s a bridge between vintage methodologies and modern production needs. By understanding and utilizing its technical foundations, producers and engineers can unlock a world of sonic potential.
AUTHENTIC LOOK & FEEL
All our devices follow the established Ableton Live design conventions and blend nicely with the existing selection of tools while employing a unique look. Color scheme adapts to the selected Live color theme naturally. While the design of our devices is functional, it also is easy on the eyes.
PUSH 3 STANDALONE READY
All Monomono devices work on Push 3 in Standalone mode.
ALSO AVAILABLE FROM MONOMONO: MAYA | MONO ONE | COMPX54 | CONSOLEX8056 | TAPE | CURVES | VOLUME ONE
Frequently Asked Questions
A: Optocomp is a vintage‑inspired MaxforLive compressor, combining the smooth, musical response of optical compression with the precision of digital control — ideal for adding character and cohesion to your mixes.
A: Yes.
A: MaxforLive integrates Max into Ableton Live, allowing you to build, customize, and use unique audio, MIDI, and control devices directly in your DAW.
A: To use this product, ensure the following requirements are met:
- Ableton Live 10 Standard with MaxforLive or higher
- Mac or Windows operating system
A: You can explore more of Monomono’s tools and devices here:
Monomono
Important Information
V1.0.0 – Initial Release – October 2023
Our Products are generally provided as Zip file downloads which in all cases will need to be extracted and saved to your hard drive prior to installation. Details on the different file type provided and what to do with them are below.
.alp Files – These are Ableton Live Packs and will either install directly into the Packs Section of the browser of Ableton Live or ask you to save them to your hard drive. For packs that install to the library, when you double click on them you will see a pop up window asking you to confirm that installation is ok as the files are described as “Legacy”. This is fine and you are ok to proceed, the packs are created using the format for an earlier version of Live and so remain compatible with the current version.
.amxd files – These are individual MaxforLive Devices and can be stored anywhere on your hard drive. We’d advise creating a folder for them and then adding that folder as a location within the Places section of Lives Browser.
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