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Maze by NOISS COKO

Inspired by the Time Lag Accumulator system

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Maze is a simple Max for Live looping device, inspired by the Time Lag Accumulator system developed by electronic music composer Terry Riley.
USER GUIDE:

Maze v1.0 – User Manual

Additional information

MaxforLive

Audio Devices
Ableton Live Compatibility

Ableton Live 10 Standard with MaxforLive, Ableton Live 10 Suite, Ableton Live 11 Standard with MaxforLive, Ableton Live 11 Suite, Ableton Live 12 Standard with MaxforLive, Ableton Live 12 Suite
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PRESS FEATURES:

AUDIOSERVICES STUDIO

3 reviews for Maze by NOISS COKO

  1. Heike Scherlie –

    I love using multiple instances of this across several groups in conjunction with live instruments or any expressive midi controller. Fantastic for generating all kinds of expressive ambient textures.

  2. Darren E Cowley (Admin) –

    Congratulations Heike, you’re the winner of this months Review Prize draw… Your store credit will be with you shortly!!

  3. Fabian De Leon –

    Awesome!

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Product reviews

AUDIOSERVICES STUDIO

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3 reviews for Maze by NOISS COKO

  1. Heike Scherlie –

    I love using multiple instances of this across several groups in conjunction with live instruments or any expressive midi controller. Fantastic for generating all kinds of expressive ambient textures.

  2. Darren E Cowley (Admin) –

    Congratulations Heike, you’re the winner of this months Review Prize draw… Your store credit will be with you shortly!!

  3. Fabian De Leon –

    Awesome!

Add a review

Your email address will not be published. Required fields are marked *

Maze MaxforLive Device by NOISS COKO

Maze by NOISS COKO

Maze is a simple Max for Live looping device, inspired by the Time Lag Accumulator system developed by electronic music composer Terry Riley.

Known as one of the earliest live recording technics, it is constructed around a short tape loop and two reel to reel tape machines.

The first records the sound while the other plays it back shortly after, thus creating an endless feedback loop.

The same approach was also adopted by many other musicians throughout the years, with Brian Eno and Robert Fripp probably being one of the most popular examples of all.  

 

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