CHANGELOG
Version 1.0.3 Released 20th June 2019
- The Multislider settings now save with the Live set
Version 1.0.2 Released 25th November 2018
- Added Banks for display on Push in Live 10
£0.00
| MaxforLive | Audio Devices |
|---|---|
| Ableton Live Compatibility | Ableton Live 10 Standard with MaxforLive, Ableton Live 10 Suite, Ableton Live 11 Standard with MaxforLive, Ableton Live 11 Suite, Ableton Live 12 Standard with MaxforLive, Ableton Live 12 Suite |
| Min. Requirements | Ableton Live 10 Standard with MaxforLive Installed or Ableton Live 10 Suite |
| OS | Mac, Windows |
You must be logged in to post a review.
7 reviews
91.4% average rating
This is a fun piece of kit. Full of surprises but capable of delightful controlled chaos. Toss a couple of these in a song and it’s instant inspiration. Don’t hesitate, just get it. You won’t be sorry. I love it.
Just dropped it in a track and I can already tell this is going to get rinsed. Precision cuts to quantised chaos and everything in between. Very handy piece of software.
Thank you.
great experimental device!
This!!!! yes – yes – YESSSSS! As mentioned above, instant inspiration from this device. Haven’t even gotten too experimental yet, having way too much fun mangling breakbeats. Very very excited to see what else I can do with this bad boy.
This is a must have for the experimental types out there!
You’re a legend Ned! P.S you’re also my fave youtube music production personality by a millleeeee xoxo
Really like it overall and it would be 4 stars (some stuff i think is not very user friendly or cleaer in terms of layout) but the clocking to the ableton master tempo is not good for me. Maybe there’s a way to adjust it, but for now, I leave it at 3 stars. It’s also because drag and dropping samples in Nedit does not always work for me, which is weird. Highly recommed Ned’s Lucky 16 audio effects though. This does what I was looking for.
It’s a good tool that makes my life easier!
Nedit is sick. The UI can be a bit unwieldy but it actually lends itself to producing interesting, unexpected results. Taking off one star for the timing issues – the output will be on beat but running behind Live’s transport a certain amount of beats or notes depending on Nedit’s own clock settings.
You must be logged in to post a review.
Nedit is a processor for manipulating samples in real-time from long time Isotonik Collective member Ned RUSH.
Drop a sample into it’s interface & once it has been loaded, you can change the sample start position, playback direction and loop size, as well as process through various effects, either from a selection of sequencer modes programmed by a multi-slider interface.
With 8 Dial control automated via Device Control to the like of the Ableton Push you can also tweak out to your hearts content.
Loaded samples can be synced to Live’s tempo by selecting a loop length or played un-synced with a definable pitch. The in built sequencers use concepts based on probability, looping, or events gathered from statistics, and there are 4 sequencers, one for each of the 4 functions for how Nedit performs, laid out across 4 tabs.
Each sequence can have its own mode and rate, allowing for interesting cross rhythms and overlapping patterns. The results can vary from subtle variations of drum loops, to insane sonic deconstructions.
Whilst Nedit is ready to be used in a performance context, it serves best as a sound generator for creating real-time edits of existing material, ready to be resampled and used further in compositions. Nedit can be sculpted to create interesting rhythmic patterns and textures or can be fully randomised for complete mayhem.
Want to chat with likeminded audio manipulators, then join up in the social group on Facebook – Nedit Users
Version 1.0.3 Released 20th June 2019
Version 1.0.2 Released 25th November 2018
Our Products are generally provided as Zip file downloads which in all cases will need to be extracted and saved to your hard drive prior to installation. Details on the different file type provided and what to do with them are below.
.alp Files – These are Ableton Live Packs and will either install directly into the Packs Section of the browser of Ableton Live or ask you to save them to your hard drive. For packs that install to the library, when you double click on them you will see a pop up window asking you to confirm that installation is ok as the files are described as “Legacy”. This is fine and you are ok to proceed, the packs are created using the format for an earlier version of Live and so remain compatible with the current version.
.amxd files – These are individual MaxforLive Devices and can be stored anywhere on your hard drive. We’d advise creating a folder for them and then adding that folder as a location within the Places section of Lives Browser.
END-USER LICENSE AGREEMENT FOR ISOTONIK STUDIOS SOFTWARE PRODUCTS.
PLEASE READ THE TERMS AND CONDITIONS OF THIS LICENSE AGREEMENT CAREFULLY BEFORE CONTINUING WITH THIS PROGRAM INSTALL.
This End-User License Agreement (referred to as “EULA”) is a legal agreement between an individual or a single entity (referred to as “LICENSEE”) and Isotonik Studios for the Isotonik Studios software product(s) which may include associated software components, media, printed materials, and “online” or electronic documentation (referred to as “SOFTWARE PRODUCT”). By installing, copying, or otherwise using the SOFTWARE PRODUCT, the LICENSEE agrees to be bound by the terms of this EULA.
This EULA represents the entire agreement concerning the program between the LICENSEE and Isotonik Studios and it supersedes any prior proposal, representation, or understanding between the parties. If the LICENSEE does not agree to the terms of this EULA, the LICENSEE should not install or use the SOFTWARE PRODUCT.
The SOFTWARE PRODUCT is protected by copyright laws and international copyright treaties, as well as other intellectual property laws and treaties. The SOFTWARE PRODUCT is licensed, not sold.
The SOFTWARE PRODUCT is licensed as follows:
(a) Installation and Use. Providing that the LICENSEE has paid any applicable license fees, Isotonik Studios grants the LICENSEE the right to install and use copies of the SOFTWARE PRODUCT on up to two computers in the LICENSEE’s possession that are running a validly licensed copy of the operating system for which the SOFTWARE PRODUCT was designed [e.g., Windows 10, macOS]. The computer(s) must be owned by the LICENSEE.
(b) Backup Copies. The LICENSEE may also make copies of the SOFTWARE PRODUCT as may be necessary for backup and archival purposes.
(a) Maintenance of Copyright Notices. The LICENSEE must not remove or alter any copyright notices on any and all copies of the SOFTWARE PRODUCT.
(b) Distribution. The LICENSEE may not distribute registered copies of the SOFTWARE PRODUCT to third parties.
(c) Prohibition on Reverse Engineering, Decompilation, and Disassembly. The LICENSEE may not reverse engineer, decompile, or disassemble the SOFTWARE PRODUCT, except and only to the extent that such activity is expressly permitted by applicable law notwithstanding this limitation.
(d) Rental. The LICENSEE may not rent, lease, or lend the SOFTWARE PRODUCT.
(e) License transfer The LICENSEE may not transfer their license to the SOFTWARE PRODUCT to any third party. Any attempt to do so will be considered a violation of this EULA.
(f) Support Services. Isotonik Studios may provide the LICENSEE with support services related to the SOFTWARE PRODUCT for a period of 12 months following the date of purchase. Any supplemental software code provided to the LICENSEE as part of the Support Services shall be considered part of the SOFTWARE PRODUCT and subject to the terms and conditions of this EULA.
(g) Compliance with Applicable Laws. The LICENSEE must comply with all applicable laws regarding use of the SOFTWARE PRODUCT.
THE FULL NED RUSH LINE UP – CLICK HERE
For support as an existing customer please use the Support Request section within your account page, this will enable us to validate your purchase automatically and assign the request to the relevant developer to respond when they're available.
Jamie –
This is a fun piece of kit. Full of surprises but capable of delightful controlled chaos. Toss a couple of these in a song and it’s instant inspiration. Don’t hesitate, just get it. You won’t be sorry. I love it.
nektarios –
Just dropped it in a track and I can already tell this is going to get rinsed. Precision cuts to quantised chaos and everything in between. Very handy piece of software.
Thank you.
lauto –
great experimental device!
Cory Winston –
This!!!! yes – yes – YESSSSS! As mentioned above, instant inspiration from this device. Haven’t even gotten too experimental yet, having way too much fun mangling breakbeats. Very very excited to see what else I can do with this bad boy.
This is a must have for the experimental types out there!
You’re a legend Ned! P.S you’re also my fave youtube music production personality by a millleeeee xoxo
Patrick James Foetisch –
Really like it overall and it would be 4 stars (some stuff i think is not very user friendly or cleaer in terms of layout) but the clocking to the ableton master tempo is not good for me. Maybe there’s a way to adjust it, but for now, I leave it at 3 stars. It’s also because drag and dropping samples in Nedit does not always work for me, which is weird. Highly recommed Ned’s Lucky 16 audio effects though. This does what I was looking for.
martin canty –
It’s a good tool that makes my life easier!
David Isenmann –
Nedit is sick. The UI can be a bit unwieldy but it actually lends itself to producing interesting, unexpected results. Taking off one star for the timing issues – the output will be on beat but running behind Live’s transport a certain amount of beats or notes depending on Nedit’s own clock settings.