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Rotation Mini by Rawton Forge

STEREO WIDTH WITHOUT THE PHASE CHAOS.

Rotation Mini by Rawton Forge is a free, zero-latency stereo widening device that uses a Hilbert transform to rotate your signal as a vector — delivering a wide, alive stereo image that stays perfectly mono-compatible, every single time.

  • Hilbert Transform Engine: The same algorithm powering the full Rotation — no compromises on sound quality
  • 90-Degree Quadrature Processing: Generates real and imaginary signal versions shifted by exactly 90 degrees
  • Perfect Mono Compatibility: No phase cancellation — your mix translates everywhere
  • Solid Low End: Bass stays tight and anchored while your stereo field opens up
  • Zero Latency: Dual all-pass filter network processes in real time with no added delay
  • Minimal Footprint: One compact device, zero unnecessary settings to manage
  • Completely Free: No cost, no catch — just vector-based stereo processing ready to drop in

Additional information

MaxforLive

Audio Devices

OS

Mac, Windows

Ableton Live Compatibility

Ableton Live 11 Suite, Ableton Live 12 Suite

Min. Requirements

Ableton Live 11 Suite or Ableton Live 11 Standard with Max for Live add-on

rotation mini by rawton forge device dark 1920x550

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Rotation Mini by Rawton Forge

Most stereo wideners are lying to you. Simple panning splits your signal left and right. The Haas effect introduces timing delays that collapse or smear in mono. MS processing can hollow out your centre. Rotation Mini does none of that. It takes your signal and rotates it as a vector — and the result is stereo width that is physically coherent, mono-safe, and genuinely musical.

Rotation Mini is the free, streamlined version of Rotation by Rawton Forge, built on the exact same Hilbert transform engine. There are no shortcuts, no stripped-down algorithms, no downgraded processing. You get the same sonic quality, the same phase-accurate mathematics, delivered in the smallest possible device footprint. Drop it on a synth, a drum bus, a vocal, a pad — and instantly hear what vector-based stereo processing actually sounds like.

The Science, Made Simple

At the heart of Rotation Mini is a dual all-pass filter network that creates a quadrature version of your signal — two outputs that are identical in frequency content but shifted 90 degrees apart in phase. This is the same principle used in radio transmission and analogue vector displays. The left channel becomes the real component of the signal; the right channel becomes the imaginary component. Together, they form a rotating vector. The stereo image you hear is not an illusion created by timing tricks — it is a geometrically accurate representation of your audio as it moves through space. Because both components share the same energy at every frequency, the signals sum to a perfectly preserved mono mix with no cancellation.

Why This Matters in Your Mix

Phase cancellation is one of the most insidious problems in music production. You build a wide, exciting stereo mix in your headphones or studio monitors, export it, and then play it through a mono phone speaker or club system — and suddenly elements disappear, the low end thins out, or the whole thing sounds hollow. Rotation Mini eliminates that problem at the source. Because the quadrature relationship between left and right is mathematically precise, the two channels always sum correctly. Your low end stays solid. Your stereo field remains wide. And your mix sounds right everywhere it plays.

This also means Rotation Mini is not just a creative tool — it is a mixing tool. Use it to add life to a static synth pad without worrying about mono playback. Use it on a room reverb return to widen ambience without muddying the centre. Use it on a drum overhead bus to open up cymbals while keeping the kick and snare anchored. The applications are as broad as your imagination, and the technical confidence it gives you is immediate.

Key Features

  • Hilbert Transform Core: The same engine as the full Rotation — real Hilbert-based vector rotation, not a simplified approximation
  • Quadrature Signal Generation: Produces a real and imaginary version of your signal, 90 degrees apart, for geometrically accurate stereo
  • Perfect Mono Compatibility: Left and right channels always sum correctly — zero phase cancellation guaranteed
  • Solid Low End Preservation: Bass frequencies remain tight and centred while the stereo field widens naturally
  • Zero Latency Processing: Dual all-pass filter network operates in real time with no added delay — no PDC headaches
  • Minimal Device Footprint: A single compact M4L device — load it, hear it, move on
  • No Unnecessary Controls: One purpose, executed perfectly — no settings to second-guess
  • Completely Free: Full-quality vector stereo processing at no cost whatsoever

Mini vs. Full Rotation

Rotation Mini does one thing — it rotates your stereo field. That is its entire purpose, and it does it beautifully. If you find yourself wanting to push further, the full version of Rotation by Rawton Forge adds a Width control to animate the angle between left and right, Feedback for extreme creative processing, a Dry/Wet mix control, MIDI-controlled rotation with spectral phase modulation that follows pitch, and the StereoScope real-time stereo visualiser. But if width is all you need right now, Mini is complete. Load it, use it, trust it.

Where to Use It

Rotation Mini earns its place across an enormous range of mixing and sound design scenarios. Pad synthesisers that feel static and flat come alive with a single instance. Reverb returns gain three-dimensional presence without drifting into phase trouble. Drum overheads open up with natural air. Guitars fill space without cancelling in mono. Electronic textures breathe and move. Even if you own the full version of Rotation, Mini has a permanent place in your toolkit for those moments when you just need the core effect — fast, clean, and out of the way.

Compatible with Ableton Live 11 and 12.

Frequently Asked Questions

A: Yes, completely free. There is no hidden cost, no time limit, and no feature unlock required. You get the full Hilbert transform engine at zero cost.

A: Most stereo wideners use simple panning, mid/side processing, or Haas-style timing delays — all of which can cause phase cancellation when the mix is played back in mono. Rotation Mini uses a Hilbert transform to create a quadrature version of your signal, where left and right are shifted by exactly 90 degrees. This means the two channels always sum perfectly in mono with no cancellation.

A: No — that is one of its key strengths. Because the stereo relationship is mathematically precise at every frequency, the low end stays solid and centred while the stereo image opens up in the upper registers. You get width without sacrificing bass energy.

A: No. Rotation Mini uses a dual all-pass filter network to generate the quadrature signal in real time, without any added latency. There is no PDC offset to worry about.

A: The full Rotation adds a Width control to animate the angle between left and right, Feedback for more extreme and creative processing, a Dry/Wet mix control, MIDI-controlled rotation with spectral phase modulation that follows pitch, and the StereoScope real-time stereo visualiser. Rotation Mini focuses purely on the core rotation effect.

A: Rotation Mini is compatible with Ableton Live 11 and Ableton Live 12. You will need a version that supports Max for Live devices — Ableton Live Suite, or Ableton Live Standard with the Max for Live add-on.

A: Absolutely. Even if you own the full version, Rotation Mini has its place when you simply need the core widening effect without any additional controls. It has a minimal footprint and zero overhead — ideal for quick insertions where you just need width and nothing else.

A: Rotation Mini works beautifully on pad synthesisers, reverb returns, guitar tracks, drum overheads, and electronic textures. Essentially any element that feels static in the stereo field can benefit — and because it is mono-safe, you can apply it freely without worrying about playback on mono systems.

Important Information

v1.0.0 – Initial Release

Our Products are generally provided as Zip file downloads which in all cases will need to be extracted before use. For Max for Live Devices please place the extracted device in your User Library. For Ableton Live Packs please double click the extracted .alp file to install. For Ableton Live Projects please place in your projects folder.

END-USER LICENSE AGREEMENT FOR ISOTONIK STUDIOS SOFTWARE PRODUCTS.

PLEASE READ THE TERMS AND CONDITIONS OF THIS LICENSE AGREEMENT CAREFULLY BEFORE CONTINUING WITH THIS PROGRAM INSTALL.

This End-User License Agreement (referred to as “EULA”) is a legal agreement between an individual or a single entity (referred to as “LICENSEE”) and Isotonik Studios for the Isotonik Studios software product(s) which may include associated software components, media, printed materials, and “online” or electronic documentation (referred to as “SOFTWARE PRODUCT”). By installing, copying, or otherwise using the SOFTWARE PRODUCT, the LICENSEE agrees to be bound by the terms of this EULA.

This EULA represents the entire agreement concerning the program between the LICENSEE and Isotonik Studios and it supersedes any prior proposal, representation, or understanding between the parties. If the LICENSEE does not agree to the terms of this EULA, the LICENSEE should not install or use the SOFTWARE PRODUCT.

The SOFTWARE PRODUCT is protected by copyright laws and international copyright treaties, as well as other intellectual property laws and treaties. The SOFTWARE PRODUCT is licensed, not sold.

  1. GRANT OF LICENSE.

The SOFTWARE PRODUCT is licensed as follows:

(a) Installation and Use. Providing that the LICENSEE has paid any applicable license fees, Isotonik Studios grants the LICENSEE the right to install and use copies of the SOFTWARE PRODUCT on up to two computers in the LICENSEE’s possession that are running a validly licensed copy of the operating system for which the SOFTWARE PRODUCT was designed [e.g., Windows 10, macOS]. The computer(s) must be owned by the LICENSEE.

(b) Backup Copies. The LICENSEE may also make copies of the SOFTWARE PRODUCT as may be necessary for backup and archival purposes.

  1. DESCRIPTION OF OTHER RIGHTS AND LIMITATIONS.

(a) Maintenance of Copyright Notices. The LICENSEE must not remove or alter any copyright notices on any and all copies of the SOFTWARE PRODUCT.

(b) Distribution. The LICENSEE may not distribute registered copies of the SOFTWARE PRODUCT to third parties.

(c) Prohibition on Reverse Engineering, Decompilation, and Disassembly. The LICENSEE may not reverse engineer, decompile, or disassemble the SOFTWARE PRODUCT, except and only to the extent that such activity is expressly permitted by applicable law notwithstanding this limitation.

(d) Rental. The LICENSEE may not rent, lease, or lend the SOFTWARE PRODUCT.

(e) License transfer The LICENSEE may not transfer their license to the SOFTWARE PRODUCT to any third party. Any attempt to do so will be considered a violation of this EULA.

(f) Support Services. Isotonik Studios may provide the LICENSEE with support services related to the SOFTWARE PRODUCT for a period of 12 months following the date of purchase. Any supplemental software code provided to the LICENSEE as part of the Support Services shall be considered part of the SOFTWARE PRODUCT and subject to the terms and conditions of this EULA.

(g) Compliance with Applicable Laws. The LICENSEE must comply with all applicable laws regarding use of the SOFTWARE PRODUCT.

  1. TERMINATION Without prejudice to any other rights, Isotonik Studios may terminate this EULA if the LICENSEE fails to comply with the terms and conditions of this EULA. In such event, the LICENSEE must destroy all copies of the SOFTWARE PRODUCT in the LICENSEE’s possession.
  2. COPYRIGHT All title, including but not limited to copyrights, in and to the SOFTWARE PRODUCT and any copies thereof are owned by Isotonik Studios or its suppliers. All title and intellectual property rights in and to the content which may be accessed through use of the SOFTWARE PRODUCT is the property of the respective content owner and may be protected by applicable copyright or other intellectual property laws and treaties. This EULA grants the LICENSEE no rights to use such content. All rights not expressly granted are reserved by Isotonik Studios.
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  4. LIMITATION OF LIABILITY In no event shall Isotonik Studios be liable for any damages (including, without limitation, lost profits, business interruption, or lost information) arising out of the LICENSEE’s use of or inability to use the SOFTWARE PRODUCT, even if Isotonik Studios has been advised of the possibility of such damages. In no event will Isotonik Studios be liable for loss of data or for indirect, special, incidental, consequential (including lost profit), or other damages based in contract, tort or otherwise. Isotonik Studios shall have no liability with respect to the content of the SOFTWARE PRODUCT or any part thereof, including but not limited to errors or omissions contained therein, libel, infringements of rights of publicity, privacy, trademark rights, business interruption, personal injury, loss of privacy, moral rights or the disclosure of confidential information.

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