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What’s inside

• 300 stereo WAV samples recorded at 48k 32-bit
• 73 metallic prepared keys sampled individually using screws, nails, chains and utensils for a sharp, rattly character
• 63 softer prepared keys sampled individually using wood, paper, cardboard, sunglasses, silicone wine stoppers and rubber for a warmer, resonant feel
• 73 hammer release samples capturing the mechanical release of each key for a realistic feel

Key features

• 100 Drift presets covering Log Bass Drum, sub deep bass, Moog-style duophonic basses, kalimba tones, Rhodes-style chords and leads, and atmospheric pads
• Signature overtone effect built into every preset, adding bright bell-like kalimba harmonics across basses, chords, leads and pads for authentic African resonance
• 10 Drum Racks featuring kicks and snares with weight and warmth, organic percussion, individual kalimba tones, metal percussion and tonal strikes
• 8 demo sessions ready to explore across Amapiano, Afro House and Melodic Techno

What’s inside

• Monophonic Spectral Morphing Wavetable Synthesizer built exclusively for Ableton Live and Push 3 Controller Mode
• Automated file-parsing engine: drag any wavetable into the interface and Wavegrab instantly analyses the file, calculates the number of frames in the Wavetable and stretches them to 256 frames, with no manual pre-processing or morphing required.
• 64-bit floating-point architecture delivers sub-frame interpolation, avoiding digital stepping and artefacts for an exceptionally clean, high-fidelity morph between adjacent waveforms
• Waveform bend modulation, operating like PWM but applicable to any waveform, routeable to the same destinations as wavetable position for complex modulations

What’s inside

• Four complementary Max for Live devices: MBK Pan, MBK Mix, MBK Space and MBK Scene, plus MBK EzPan for simplified binaural panning
• MBK Pan places mono or stereo sources in a full 3D binaural space, with automatable spatial movement and optional early reflections that improve source localisation
• MBK Mix monitors channel-based multichannel streams up to 32 channels (5.1, 7.1, 7.1.4 and custom formats) and ambisonic streams up to 4th order (25 channels) in binaural
• MBK Space is a binaural reverberator placed on a return track; it collects early reflections from MBK Pan and MBK Mix devices and distributes them in a coherent resonant 3D space, with additional audio inputs for non-binaural tracks

Key features

• 120 patches in total: 56 Dub Chords, 16 Deep Basses, 24 Poly Synths, 16 Pads, and 6 Performance Effects
• 56 unique Dub Chord patches ranging from soft, warm and deeply atmospheric textures to darker, more mechanical stabs designed for driving Techno rhythms
• 16 deep basses designed for Dub Techno: from weighty sub basses to analogue-inspired tones that complement the Dub Chords without overwhelming the mix
• 24 polyphonic synths spanning cold digital textures, warm analogue-inspired timbres, drifting atmospheres and evolving harmonic layers

What’s inside

• Two oscillators: VCO 1 covers triangle, sawtooth, PWM square, and noise with a Pulse Width dial that sweeps from a full hollow square to a thin buzzing sliver; VCO 2 adds sawtooth, two fixed pulse widths, and ring modulation against Osc 1, plus a Pitch knob that detunes up to plus or minus 12 semitones
• Dual resonant filters in series, high-pass into low-pass, each switchable between OTA and Korg35-style topologies with circuit-accurate saturation, independent Cutoff and Peak controls, and both capable of self-oscillation
• Morphing Modulation Generator: one LFO whose Waveform dial continuously morphs from falling sawtooth through symmetric triangle to rising sawtooth, free-running from 0.1 Hz to around 20 Hz or tempo-synced to Live with phase reset on transport and per-note reset
• Onboard patch bay with 15 modulation sources and destinations including MG triangle, MG square, EG1, EG1 inverted, EG2 inverted, Mult, VCO 1 PWM, VCO 2 CV, TRIG IN, EG1 TRIG, MG Wave, and MG Freq for complex self-patching architectures

What’s inside

• Additive Synthesis Engine: up to 12 harmonics with adjustable count and continuous inharmonicity
• Deterministic & Phase-Locked: every hit is repeatable down to the sample, with full phase control over the tail
• Eight Envelopes: pitch, amplitude, and one per modifier, each with its own fully shapeable curve
• Quadrature Stereo Width: a true stereo kick built into the synthesis itself, and fully mono-compatible

Key features

• Ten playable instrument channels: Bass, Pluck Keys, two Pads, two Arps, two Sound FX - plus Lead Bass and Keys as swappable alternatives
• 30+ snapshot presets: at least three per instrument, instantly accessible with a single tap
• Seven MIDI sequences per Pad, Arp, and SFX channel: freely combinable across scenes for always-evolving harmonic textures
• 16-macro Ambient Performance Effect Rack: shared across all channels - Reverb, Grain Delay, Echo, dual spatial Reverbs, Filter, and Stutter, with 5 presets plus a CLEAN reset

What’s inside

• Asymmetric waveshaping: A bounded homographic transfer function stretches waveforms around a movable pivot point, making positive and negative half-cycles unequal and generating rich even-harmonic content
• Binaural stereo width: Per-channel deformation with a dedicated Binaural control creates genuine stereo spread directly from signal shape - no artificial widening required
• Phase-quadrature LFO: Internal sine LFO modulates the deformation on each channel 90° out of phase, generating continuous, natural-feeling stereo motion
• Dynamic Offset control: Links DC compensation to the signal envelope for responsive, artefact-free operation across dynamic material

Key features

• 96 authentic 303-style acid patches with velocity-based accent behavior and glide response
• 32 polyphonic classic house and rave sounds (pianos, organs, hoovers, saw stacks, rave synths, chord stabs)
• 19 ready-to-play projects exploring acid house, Detroit acid techno, hard acid techno, and rave styles
• 64 drum samples: house, techno, hard techno, 707, 808, 909, hats, percussion, acid vocals

What’s inside

• Choose from Three editions: Intro, Standard, Pro
• Browser-based control from phones, tablets, and computers
• Automatic setlist creation from Ableton Live locators
• Multi-file project support for song-per-file workflows

What’s inside

• Custom Mode: Draw your own playback-speed envelopes (2× forward to 20× backward)
• Scratch Mode: Fine and Coarse manual playback control
• 25 preset slots (5 built-in + 20 user-saveable) storing envelope + buffer
• Audio import: Drag & drop samples directly into buffer

What’s inside

• 6-voice polyphonic synthesizer built for MaxforLive
• Oscillator section: Sawtooth, variable square (with PWM), sub-oscillator, and noise generator
• Classic subtractive synthesis architecture with authentic high-pass and resonant low-pass filters
• Built-in chorus effect with 3 modes for shimmering, wide stereo textures

What’s inside

• 64 potential controls: buttons, triggers, joysticks, gyro, accelerometer and touchpad (PS5 with USB)
• Outputs MIDI notes and mappable signals - ideal for controlling anything inside Live
• Gyroscope and accelerometer enable expressive motion-based control
• Custom mapping and scaling: scale and automate control output; record automation with Pass/Record/Play modes

What’s inside

• Authentic analog-style monophonic synth for Max for Live
• Classic waveforms: Square (with PWM), Sawtooth, Sub + Noise
• Resonant 4-pole low-pass filter with self-oscillation
• Saturating amplifier for added character

What’s inside

• Channel×80: Includes Pre×73 (vintage preamp emulation) and EQ×73 (flexible tone shaping).
• Comp×54: Diode bridge compressor for smooth, punchy dynamics and added sonic texture.
• Console×80: Summing amplifier with vintage and modern modes, realistic analog noise, and unified settings for a cohesive mix.
• Classic Diode Bridge Compression: Offers a distinctive sound known for its musicality and responsiveness, capturing the essence of vintage hardware.

What’s inside

• Three tape decks modeled after famous studio decks with two playback speed options. Each deck has a unique character - saturation curves and authentic frequency responses.
• A820 inspired by the iconic Studer A820, offering a modern and balanced sound signature; A80 with a pronounced low-end for grounded bass presence; C37 with a distinctive low-mid focus for a vintage touch.
• Two playback speeds per deck: 15 ips emphasises low-frequency richness with a gentle high-frequency roll-off; 30 ips extends the high-frequency response with a slight low-end attenuation.
• Three tape formulations: 900 inspired by the BASF 900 for crisp detail; 456 a nod to the Ampex 456 for analog warmth; Б3716 capturing Soviet-era lo-fi texture.

What’s inside

• Control virtually every aspect of your Live Sets using simple words or phrases (called Actions).
• Trigger Actions in ways that suit your workflow: from Session View Clips, Arrangement View Locators, MIDI Controllers or Max for Live Devices.
• Store and recall Snapshots of Tracks, Devices or your entire Set.
• Extend the functionality of other Control Surface scripts.