Here you'll find the latest posts and videos from our team of independant developers, sound designers & artists along with content shared by friends of the store!
We've got contributions from Brian Funk | Manifest Audio | Miles Kvndra | Mordio | Ned Rush | Philip Meyer | Push Patterns | Side Brain | Stefan Torto | Techtronix | Zdrewe
Australian producer COPYCATT breaks down his track Butterfly, sharing honest thoughts on clipping vs limiting, waveshaping tools, and how he builds movement and character into bass music.
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Ned Rush shows how to slice a break into eighth notes in Simpler and sequence the whole thing using only the QWERTY keyboard, covering velocity rolls, multiple break chains, and the grammar of jungle.
Darren E Cowley (Admin)
AbleSet 3.1 brings spoken cues, a new devices hub, and the AbleSet Connect iOS app. Here is a full breakdown of every major new feature from Leolabs.
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Ableton Extensions are still in beta, but several are already production-ready. Here are the ones worth adding to your workflow today.
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Producer and Max for Live developer dnksaus joins the podcast to explore Ableton Extensions, AI-assisted workflow building, and the creative techniques behind his unconventional sound design approach.
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Grant Kershaw breaks down the dual-machine playback setup used on Olivia Dean’s arena tour, showing how AbleSet 3 handles setlist management, failover monitoring, and custom canvas controls.
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A practical walkthrough for recording electric guitar or bass into Ableton Move, covering the exact TS to TRS cable required, gain and monitoring setup, and shaping your tone with Move’s built-in effects.
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The Auriteq Flow puts instant plug-in recall, saved chains, custom shortcuts, and mixing meters on a single hardware controller. Here is what it does and whether it is worth it.
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A quick but important follow-up on the Ableton Move tap tempo workaround — it turns out Move offers multiple tempo options via the main encoder, giving you a way to correct misreads on the fly.
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Learn how to recreate the evolving sidechain gate sound from Jon Hopkins’ Emerald Rush using only stock Ableton plugins on the Push 3 standalone.
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