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MOVERS PACK by NOISS COKO

MIDI randomizers and expression devices

£18.00

The Movers Pack features four paired Max for Live devices, designed as simple tools for randomization, organic expression and precise automation. Format all values and sources produced by these effects as MIDI data to control external instruments, or simply use them to affect any parameter inside Live.
  • Easily map, control and randomize Live parameters.
  • Create dynamic patterns and sequences.
  • Enhance instruments expressive performance.
  • Send as MIDI CC, Pitch Bend and others for external control 
COMPATIBILITY: Ableton Live 11 / 12 Suite or Ableton Live 11 / 12 Standard with MaxforLive Installed
OS COMPATIBILITY: Mac & Windows
Min. Requirements: Ableton Live Suite 11.3.25 or Ableton Live Standard 11.3.25 with MaxforLive Installed
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    INSTALLATION:

    Our Products are generally provided as Zip file downloads which in all cases will need to be extracted and saved to your hard drive prior to installation. Details on the different file type provided and what to do with them are below.

    .alp Files – These are Ableton Live Packs and will install directly into the Packs Section of the browser of Ableton Live. When you double click on them you will see a pop up window asking you to confirm that installation is ok as the files are described as “Legacy”. This is fine and you are ok to proceed, the packs are created using the format for an earlier version of Live and so remain compatible with the current version.

    .amxd files – These are individual MaxforLive Devices and can be stored anywhere on your hard drive. We’d advise creating a folder for them and then adding that folder as a location within the Places section of Lives Browser.

    CHANGE LOG:

    Initial Release – June 2024

    MOVERS PACK by NOISS COKO

    Both Functions and MiniSteps devices feature a pair of simple MIDI and audio effects, mainly designed as control sources for Ableton Live parameters and external instruments.

    Control sources available in Functions are set from two editable waveforms, both played as an LFO or a complex envelope that is triggered by incoming MIDI notes. MiniSteps offers a different approach, allowing control values to be set from its three independent eight-step sequencers. Once defined, these sources and their overall behaviour can range from absolute precision to total randomness, and everything in between.

    Parameters are then distributed at will across five output layers, assigned by individual Map buttons, or linked to other devices using any of the available MIDI message formats. These are particularly useful when working with instruments like Sampler, Operator, Meld or Wavetable, all of which offer a versatile modulation section for very specific parameters that otherwise would not support MIDI mapping nor clip automation.

    Depending on what external instrument or device is receiving the information, sources can be formatted as:

    • CC or Control Change. This type of message always feature two different yet simple elements. These are used by the receiver to identify what specific parameter is now being controlled and what is that parameter’s new state or position after the message is received. In this case, values are defined by the incoming source and the number is determined by the CC X box that is displayed when this format is chosen.
    • PB or Pitch Bend. Generally used to bend an instrument’s pitch up and down, but its effect ultimately depends on how the receiver is configured to interpret this specific type of message.
    • MW or Modulation Wheel.
    • FC or Foot Control.
    • AT or Aftertouch.
    • Off prevents a row’s MIDI information from being output. Its Map function still remains independent. 

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