Petal by Rainbow Circuit

A MaxforLive multi-tap delay that draws any sound into an ever-unfolding garden.

£29.00
Petal is a multi-tap delay that draws any sound into an ever-unfolding garden. With powerful delay time shaping tools and pitch shifting, Petal is both a conventional delay and a texture generator.
USER GUIDE:

Petal Userguide

COMPATIBILITY: Ableton Live 10 / 11 / 12 Suite or Ableton Live 10 / 11 / 12 Standard with MaxforLive Installed
OS COMPATIBILITY: OS 11.0 OR LATER / WINDOWS WINDOWS: 10 (64-BIT) OR LATER
MIN. REQUIREMENTS: Ableton Live 10 Suite or Ableton Live 10 Standard with MaxforLive Installed

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Petal by Rainbow Circuit

A MaxforLive multi-tap delay that draws any sound into an ever-unfolding garden.

Petal is a Max for Live multi-tap delay that draws any sound into an ever-unfolding garden. The core of Petal is its eight-tap delay, evenly spaced at the dialed in delay time. Individual taps can be toggled on or off to create irregular rhythmic delays.

The X-Y Shaping pad distorts the tap delay times in interesting ways. The Y-axis shifts the tap delay times from equidistant (linear) spacing to skewed (sigmoid) spacing. The X-axis skews the tap delay times closer to either tap 1 or tap 8.

Each tap can be pitch-shifted up or down in perfect 5ths or octaves. Play a handful of notes and listen as it evolves into a rich harmonic background. The FFT pitch-shifting circuit provides clean pitch-shifting with minimal tonal coloration.

Feeling uninspired? Tap the dice to generate endless pitch-shifting and tap on/off combinations.

Add feedback and hear the delay pattern dance around. Petal uses a separate delay line in its feedback circuit, which can be set to individual tap length.

Introducing character to Petal is easy: a no-nonsense filter for effortless tonal shaping, delay time modulation using the Wobble parameter, and soft clipping to add rich harmonics to the input signal.

MORE FROM Rainbow Circuit...

Takuma Matsui is an artist and music technologist based in Brooklyn, NY.

As an artist, Takuma draws influences from artists of various disciplines, including T.S. Eliot, Bela Balaz, Aaron Copland, and Robert Henke. His work explores form-mediums at the intersection of new tools and aesthetics; incorporating Max/MSP, 2D animation, and new modes of digital communication.

Takuma has worked with clients including Splice and iZotope, and is producer and instructor at 343 Labs in NYC.

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