Here you'll find the latest posts and videos from our team of independant developers, sound designers & artists along with content shared by friends of the store!
We've got contributions from Brian Funk | Manifest Audio | Miles Kvndra | Mordio | Ned Rush | Philip Meyer | Push Patterns | Side Brain | Stefan Torto | Techtronix | Zdrewe
Mutable Instruments’ legendary Plaits lives on in Max for Live. Explore 16 synth engines and deep modulation with P4L—an open-source powerhouse for adventurous sound design.
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Discover how to shape hypnotic ambient textures with Drift, Ableton Live 12’s analog-style synth. Mordio breaks down modulation, effects, and sound design tips in this video.
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Explore the creative potential of Ableton Live 12.2’s “Bounce to New Track” feature with Ned Rush as he turns sound design experiments into generative compositions.
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Electronic musician Miles Kundra shares his honest thoughts after two immersive weeks with the Ableton Move. Portable, powerful, and creatively focused—but not without its limits.
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Ned Rush builds a wild feedback loop in Ableton Live 12.1 using Roar inside a Drum Rack. Discover how drum triggers, gates, and modulation can be used to craft evolving, noisy industrial textures with real-time macro control....
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Tuning vocals in Ableton Live with Melodyne doesn’t have to be a chore. This simple hack eliminates the slow transfer process, letting you edit faster and get back to making music.
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Ned Rush takes one drum beat and turns it into a modular FX system using crossfading racks, feedback loops, randomized MIDI, and spectral effects. Learn to build evolving textures in Ableton Live.
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Master your live set like a pro using only stock Ableton effects. Miles Kvndra walks through his Push 3-compatible mastering rack for EQ, compression, limiting, and stereo control.
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Explore 10 free Max for Live tools—from granular synths and BPM-synced visuals to chaotic skip FX and ambient drone generators. Curated by Side Brain.
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Noah Pred explores AbletonLive 12.2’s new expressive tools—taking us through chord improvisation, break chopping via Take Lanes, jungle bass textures from zoned imagery, and multimodulated Sample & Hold performance. A ja...
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