
Pigra 3.0 by Mudjaq
TWIN MODULATION DELAY
TRIPLE PACK DISCOUNT: Purchase any three Mudjaq products at the same time and get an automatic 20% discount added to your cart!
Pigra 3.0 by Mudjaq is an advanced Max for Live delay device for Ableton Live, built to inspire both traditional and experimental sound design. With twin delay engines, deep pitch modulation, and a host of creative sculpting tools, it lets you shape intricate, evolving textures that go far beyond a standard delay. Perfect for producers, performers, and sound designers who want total control over rhythmic and tonal evolution.
- Twin Delay Engines: Independent delay lines operable in ms or sync modes
- Pitch Modulation: Pitch shifting up to ±2 octaves with LFO modulation
- Diffusion Mode: Adds lush, reverb-like depth and space to your signal
- Bubble Mode: Unique unpredictable panning and modulation for animated textures
- Stretch Mode: Creative time manipulation for warped, experimental results
- Filtering & Drive: High-pass and low-pass filters plus drive control for tonal shaping
- Performance-Ready: Designed for seamless delay and pitch changes on the fly
Pigra 3.0 by Mudjaq
TWIN MODULATION DELAY
TRIPLE PACK DISCOUNT: Purchase any three Mudjaq products at the same time and get an automatic 20% discount added to your cart!
Pigra 3.0 by Mudjaq is an advanced Max for Live delay device for Ableton Live, built to inspire both traditional and experimental sound design. With twin delay engines, deep pitch modulation, and a host of creative sculpting tools, it lets you shape intricate, evolving textures that go far beyond a standard delay. Perfect for producers, performers, and sound designers who want total control over rhythmic and tonal evolution.
- Twin Delay Engines: Independent delay lines operable in ms or sync modes
- Pitch Modulation: Pitch shifting up to ±2 octaves with LFO modulation
- Diffusion Mode: Adds lush, reverb-like depth and space to your signal
- Bubble Mode: Unique unpredictable panning and modulation for animated textures
- Stretch Mode: Creative time manipulation for warped, experimental results
- Filtering & Drive: High-pass and low-pass filters plus drive control for tonal shaping
- Performance-Ready: Designed for seamless delay and pitch changes on the fly
Additional information
| MaxforLive | Audio Devices |
|---|---|
| Ableton Live Compatibility | Ableton Live 11 Standard with MaxforLive, Ableton Live 11 Suite, Ableton Live 12 Standard with MaxforLive, Ableton Live 12 Suite |
| Min. Requirements | Ableton Live 11 Standard with MaxforLive Installed or Ableton Live 11 Suite |
| Controllers | Ableton Push THREE Controller, Ableton Push THREE Standalone, Ableton Push TWO |
| OS | Mac, Windows |
Product reviews
The future delay
This is a delay of the future. Super creative micro-repeats that surprise with tons of parameters to tweak; very fun and works great in Push 3 for me.
amazing delay
small view
Very creative device , inspiring and intuitive
Pigra 2 is an amazing max for live device!
I already used on 2 tracks, sounds great. Very creative device , inspiring and intuitive. Love it.
Endless Possibilities and creative design
Pigra 2 is one of the coolest Max for Live devices I've ever purchased! I just started diving into it & it's definitely experimental, which is totally my jam. Endless Sound Design possibilities with this delay even if it is a bit over my head. Definitely doesn't stop me from enjoying what this thing has to offer. Thanks MUDJAQ & Isotonik Studios!
Pigra 2 is an amazing device!
I had been searching for an affordable hardware-style pedal effect that does exactly what Pigra does – and eventually came across it through Isotonik Studios.
Now I have an effect unit that I can use entirely in the box, even on the Push 3 Standalone.
How awesome is that?
Big thanks to MUDJAQ and Isotonik Studios!
I’ve been using Pigra 2 for a while now, and I have to say it’s one of the most creative delay devices I’ve tried for Ableton. It’s not just your typical delay - it’s packed with features that can take things in really experimental directions if you want.
The dual delay system is super flexible, with independent timing, panning, and pitch for each side. I especially love the pitch shifting and stretch modes - you can make delays sound alive, drifting in and out of weird textures or glitchy effects.
Bubble mode is a fun one too, adds this unpredictable stereo movement that’s great for ambient or offbeat sounds. The diffusion and feedback options let you shape everything from subtle space to full-on chaos.
It might be overkill if you just want a simple delay, but if you're into sound design or experimental stuff, Pigra 2 gives you tons of room to get creative. Definitely not a boring delay plugin.
Pigra 3.0 by Mudjaq
Pigra 3.0 is the evolution of Mudjaq’s celebrated delay device — a deep, modulation-rich Max for Live tool that transforms the humble delay effect into a living, breathing sound design engine. Whether you’re sculpting cinematic textures, building hypnotic rhythmic loops, or throwing caution to the wind in a live set, Pigra 3.0 rewards curiosity with complexity and precision in equal measure.
Key Features
- Delays: Choose between millisecond-based and BPM-synced delay times, giving you the freedom to work freely or lock tightly to your project’s groove. The pitch of the delayed signal can remain static or modulate up to ±2 octaves, opening up creative pitch-shifting possibilities that go far beyond conventional delay.
- Pitch Modulation: Modulate delay pitch across a range of ±2 octaves for rich tonal transformations. Window detuning and a dedicated Pitch LFO provide fine-grained control over how pitch evolves over time, adding movement, warmth, and unpredictability to your sound.
- Feedback and Diffusion: Shape your repeats with feedback options including reverse feedback and pitch-shifted loops. The Diffusion section adds a reverb-like bloom to the delay tail, with adjustable spread and width for expansive spatial results. A dedicated Diffusion switch lets you reduce CPU load when needed, keeping your session running smoothly.
- Bubble Mode: One of Pigra 3.0’s most distinctive features. Bubble mode introduces delay and panning modulation driven by sine waves and noise, producing complex, evolving delay patterns that shift and breathe in unexpected ways. Modulation speed is fully adjustable, and the LRmix mode becomes particularly powerful when used alongside serial feedback.
- Stretch Mode: Manipulate the playback speed of your delays with both linear and stepped stretch options, conjuring strange, syncopated rhythms and warped textures. Auto mode syncs stretch to your project’s tempo automatically, while manual mode hands you full real-time control for expressive live performance.
- Filter and Drive: A built-in filter section offers high-pass and low-pass shaping to carve the frequency content of your delays. Drive controls add warmth and grit through analogue-style distortion, while wet/dry mix settings keep you in full command of how Pigra 3.0 sits in your mix.
How It Works
Pigra 3.0 is built around a flexible core delay engine that branches outward into modulation, diffusion, and tonal shaping. Begin by setting your delay time — either dialled in freely in milliseconds or snapped to your session’s BPM — then layer in pitch modulation via the LFO or window detuning controls. Engage Bubble mode to introduce organic, unpredictable movement across stereo space, or switch on Stretch to warp playback speed and introduce rhythmic oddities. Feedback routes can be set to standard, reverse, or pitch-shifted modes, whilst the Diffusion section blurs and expands the tail into something approaching reverb. Filters and drive sit at the output stage, letting you shape the final colour of the effect before it hits your mix.
The Vibe
Pigra 3.0 sits comfortably at the intersection of precision and chaos. It’s equally at home producing clean, musical echoes as it is generating sprawling, pitch-warped soundscapes that feel entirely alive. Sound designers will appreciate its deep modulation architecture and the granular control on offer, whilst live performers will find Bubble and Stretch modes especially thrilling — capable of turning a straightforward performance into something genuinely unpredictable. This is a delay device that invites experimentation and rewards those who push it to its limits.
What’s Included
- Pigra 3.0 Max for Live device
- Compatible with Ableton Live 11 and above (Max for Live required)
- Full documentation and user guide
Also Available by MUDJAQ — WHALE | METAMOR | KINKON | SWIMMER
Frequently Asked Questions
A: A powerful MaxforLive delay device for Ableton Live, offering twin modulation delays, pitch shifting, diffusion, and creative modes for experimental sound design.
A: Yes, Pigra 3 requires MaxforLive.
A: MaxforLive is a platform that integrates the visual programming environment Max with Ableton Live, allowing users to create and use custom audio, MIDI, and control devices.
A: You can explore more of Mudjaq’s tools and devices here:
Important Information
v3.0 – 28 July 2026
Sync function is improved.
Pitch LFO is improved.
Delay N/8 mode is added.
Stretch Reset Mode is added.
Bubble Mode new feature is added,
Improved to allow for faster setting in each Hz mode.
Supports sampling rate up to 192kHz.
V2.0.1 – Released July 2025
- Added Filter switch to Push controls
Initial Release – February 2025
Our Products are generally provided as Zip file downloads which in all cases will need to be extracted and saved to your hard drive prior to installation. Details on the different file type provided and what to do with them are below.
.alp Files – These are Ableton Live Packs and will either install directly into the Packs Section of the browser of Ableton Live or ask you to save them to your hard drive. For packs that install to the library, when you double click on them you will see a pop up window asking you to confirm that installation is ok as the files are described as “Legacy”. This is fine and you are ok to proceed, the packs are created using the format for an earlier version of Live and so remain compatible with the current version.
.amxd files – These are individual MaxforLive Devices and can be stored anywhere on your hard drive. We’d advise creating a folder for them and then adding that folder as a location within the Places section of Lives Browser.
END-USER LICENSE AGREEMENT FOR ISOTONIK STUDIOS SOFTWARE PRODUCTS.
PLEASE READ THE TERMS AND CONDITIONS OF THIS LICENSE AGREEMENT CAREFULLY BEFORE CONTINUING WITH THIS PROGRAM INSTALL.
This End-User License Agreement (referred to as “EULA”) is a legal agreement between an individual or a single entity (referred to as “LICENSEE”) and Isotonik Studios for the Isotonik Studios software product(s) which may include associated software components, media, printed materials, and “online” or electronic documentation (referred to as “SOFTWARE PRODUCT”). By installing, copying, or otherwise using the SOFTWARE PRODUCT, the LICENSEE agrees to be bound by the terms of this EULA.
This EULA represents the entire agreement concerning the program between the LICENSEE and Isotonik Studios and it supersedes any prior proposal, representation, or understanding between the parties. If the LICENSEE does not agree to the terms of this EULA, the LICENSEE should not install or use the SOFTWARE PRODUCT.
The SOFTWARE PRODUCT is protected by copyright laws and international copyright treaties, as well as other intellectual property laws and treaties. The SOFTWARE PRODUCT is licensed, not sold.
- GRANT OF LICENSE.
The SOFTWARE PRODUCT is licensed as follows:
(a) Installation and Use. Providing that the LICENSEE has paid any applicable license fees, Isotonik Studios grants the LICENSEE the right to install and use copies of the SOFTWARE PRODUCT on up to two computers in the LICENSEE’s possession that are running a validly licensed copy of the operating system for which the SOFTWARE PRODUCT was designed [e.g., Windows 10, macOS]. The computer(s) must be owned by the LICENSEE.
(b) Backup Copies. The LICENSEE may also make copies of the SOFTWARE PRODUCT as may be necessary for backup and archival purposes.
- DESCRIPTION OF OTHER RIGHTS AND LIMITATIONS.
(a) Maintenance of Copyright Notices. The LICENSEE must not remove or alter any copyright notices on any and all copies of the SOFTWARE PRODUCT.
(b) Distribution. The LICENSEE may not distribute registered copies of the SOFTWARE PRODUCT to third parties.
(c) Prohibition on Reverse Engineering, Decompilation, and Disassembly. The LICENSEE may not reverse engineer, decompile, or disassemble the SOFTWARE PRODUCT, except and only to the extent that such activity is expressly permitted by applicable law notwithstanding this limitation.
(d) Rental. The LICENSEE may not rent, lease, or lend the SOFTWARE PRODUCT.
(e) License transfer The LICENSEE may not transfer their license to the SOFTWARE PRODUCT to any third party. Any attempt to do so will be considered a violation of this EULA.
(f) Support Services. Isotonik Studios may provide the LICENSEE with support services related to the SOFTWARE PRODUCT for a period of 12 months following the date of purchase. Any supplemental software code provided to the LICENSEE as part of the Support Services shall be considered part of the SOFTWARE PRODUCT and subject to the terms and conditions of this EULA.
(g) Compliance with Applicable Laws. The LICENSEE must comply with all applicable laws regarding use of the SOFTWARE PRODUCT.
- TERMINATION Without prejudice to any other rights, Isotonik Studios may terminate this EULA if the LICENSEE fails to comply with the terms and conditions of this EULA. In such event, the LICENSEE must destroy all copies of the SOFTWARE PRODUCT in the LICENSEE’s possession.
- COPYRIGHT All title, including but not limited to copyrights, in and to the SOFTWARE PRODUCT and any copies thereof are owned by Isotonik Studios or its suppliers. All title and intellectual property rights in and to the content which may be accessed through use of the SOFTWARE PRODUCT is the property of the respective content owner and may be protected by applicable copyright or other intellectual property laws and treaties. This EULA grants the LICENSEE no rights to use such content. All rights not expressly granted are reserved by Isotonik Studios.
- NO WARRANTIES Isotonik Studios expressly disclaims any warranty for the SOFTWARE PRODUCT. The SOFTWARE PRODUCT is provided ‘As Is’ without any express or implied warranty of any kind, including but not limited to any warranties of merchantability, noninfringement, or fitness of a particular purpose. Isotonik Studios does not warrant or assume responsibility for the accuracy or completeness of any information, text, graphics, links or other items contained within the SOFTWARE PRODUCT. Isotonik Studios makes no warranties respecting any harm that may be caused by the transmission of a computer virus, worm, time bomb, logic bomb, or other such computer program. Isotonik Studios further expressly disclaims any warranty or representation to the LICENSEE or to any third party.
- LIMITATION OF LIABILITY In no event shall Isotonik Studios be liable for any damages (including, without limitation, lost profits, business interruption, or lost information) arising out of the LICENSEE’s use of or inability to use the SOFTWARE PRODUCT, even if Isotonik Studios has been advised of the possibility of such damages. In no event will Isotonik Studios be liable for loss of data or for indirect, special, incidental, consequential (including lost profit), or other damages based in contract, tort or otherwise. Isotonik Studios shall have no liability with respect to the content of the SOFTWARE PRODUCT or any part thereof, including but not limited to errors or omissions contained therein, libel, infringements of rights of publicity, privacy, trademark rights, business interruption, personal injury, loss of privacy, moral rights or the disclosure of confidential information.









